Bootleg Karaoke KO's Original Karaoke Trademark Owner in the Seventh Circuit | Practical Law

Bootleg Karaoke KO's Original Karaoke Trademark Owner in the Seventh Circuit | Practical Law

In Phoenix Entertainment Partners, LLC v. Rumsey, the US Court of Appeals for the Seventh Circuit affirmed the district court's dismissal of plaintiff's complaint, holding that the plaintiff had not plausibly alleged that the defendants' conduct resulted in consumer confusion about the source of any tangible good sold in the marketplace.

Bootleg Karaoke KO's Original Karaoke Trademark Owner in the Seventh Circuit

Practical Law Legal Update w-002-8674 (Approx. 4 pages)

Bootleg Karaoke KO's Original Karaoke Trademark Owner in the Seventh Circuit

by Practical Law Intellectual Property & Technology
Published on 26 Jul 2016USA (National/Federal)
In Phoenix Entertainment Partners, LLC v. Rumsey, the US Court of Appeals for the Seventh Circuit affirmed the district court's dismissal of plaintiff's complaint, holding that the plaintiff had not plausibly alleged that the defendants' conduct resulted in consumer confusion about the source of any tangible good sold in the marketplace.
On July 21, 2016, in Phoenix Entertainment Partners, LLC v. Rumsey, the US Court of Appeals for the Seventh Circuit affirmed the US District Court for the Central District of Illinois's dismissal of plaintiff Slep-Tone Entertainment Corp. and its successor Phoenix Entertainment Partners, LLC's (collectively Slep-Tone) complaint, holding that it could not support a claim under the Lanham Act because Slep-Tone had not plausibly alleged that the defendants, Dannette Rumsey and Basket Case Pub, Inc.'s (Rumsey) conduct would lead to consumer confusion about the source of any tangible good sold in the marketplace. ( (7th Cir. July 21, 2016)).
This case arose as one of more than 150 suits that Slep-Tone filed under Sections 32 and 43 of the Lanham Act to challenge the alleged unauthorized copying and performance of its commercial karaoke files (15 U.S.C. §§ 1114, 1125).
Slep-Tone produces and distributes karaoke accompaniment tracks for professional karaoke systems under the trademark SOUND CHOICE on various media having both audio and graphic components. Customers typically copy these tracks onto the karaoke systems' hard drives for easy access to the chosen track.
Slep-Tone does not own the copyrights on its tracks, and pays royalties to the copyright owners of the original musical works incorporated into the karaoke tracks.
In 2009, Slep-Tone adopted a media-shifting policy that permits its customers to copy the tracks they have purchased from Slep-Tone provided they comply with four conditions:
  • There must be a 1:1 correspondence between the tracks purchased and copies made such that for every hard drive onto which a track is copied, the customer must own and maintain the track on the original disc.
  • Once a copy has been made, the purchased track on the disc must not be used for any purpose.
  • The customer must notify Slep-Tone that it has media-shifted the track.
  • The customer must submit to an audit to certify its compliance with the media-shifting policy.
Subsequently, Slep-Tone brought this case against Rumsey asserting, among other things, trademark infringement and unfair competition under the Lanham Act based on Rumsey's violation of the media-shifting policy. Specifically, Slep-Tone alleged that:
  • Rumsey plays unauthorized copies of Slep-Tone's karaoke tracks in its pub.
  • When Rumsey plays these tracks, pub patrons:
    • see Slep-Tone's SOUND CHOICE mark; and
    • believe they are seeing and hearing a legitimate, authentic Slep-Tone track.
The district court held in relevant part that Slep-Tone's Lanham Act claims failed to state a claim on which relief could be granted because the alleged facts did not plausibly suggest that Rumsey's activities were likely to cause confusion as to the source of any tangible good. Importantly, the district court concluded that when the pub patrons see and hear the intangible content of the karaoke tracks, they will neither see nor care about the physical medium from which those tracks are played. Therefore, any confusion is not about the source of the tangible good containing the karaoke tracks.
On appeal, the Seventh Circuit began its analysis by considering the US Supreme Court's Dastar Corp. v. Twentieth Century Fox Film Corp. (539 U.S. 23, 37 (2003)) decision, which established that trademark law cannot be invoked to assert what really is a copyright infringement claim. Specifically, the Seventh Circuit highlighted the Supreme Court's analysis of the Lanham Act's use of the terms "origin" and "goods" as referring to the producer of the tangible goods that are offered for sale in the marketplace, and not to the author of any idea, concept, or communication embodied in those goods. Continuing, the Seventh Circuit considered:
  • The tangible good at issue in this case.
  • Whether the unauthorized activity might cause consumers to be confused about who produced that good.
In this case, the good is the unauthorized digital copy of the SOUND CHOICE karaoke track. However, the pub patrons see only the performance of the creative content on the digital copy, and not the disc wrapped in Slep-Tone or SOUND CHOICE packaging. They have no interaction with the medium from which the tracks are played. Therefore, any confusion is not about the source of the tangible good sold in the marketplace.
The Seventh Circuit also noted that:
  • The routine display of Slep-Tone's embedded trademark during the performance of the tracks does not by itself support a claim under the Lanham Act.
  • The defendants are not selling compact discs with karaoke tracks and billing them as genuine Slep-Tone tracks
  • On the alleged facts, Slep-Tone would have a viable copyright infringement claim against the defendants if Slep-Tone owned the copyright in the tracks, since the heart of the plaintiff's complaint is the unauthorized copying of Slep-Tone's karaoke tracks.